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Wednesday 27 February 2013

Traces Remain - JLG Clift


                                                                 Traces Remain

 

Your fingers trace Glory. They trace the route they have traced many times before. You’ve traced her, through the printed petals on her summer shawl, through the plushness of her wedding dress, through the sheen of her satin negligee; through nothing. Your touch lasts for only the moment when fingers meet her, before it is chased away by the youth in her skin. Nothing is forever. The touch, tonight, feels fabricated, the coolness where there used to be warmth makes you linger in what used to be. You used to long for the warmth of her breast once it had left your chest and the chill of her cold shoulders rung in its cruel wake, but now you long even for the dampened thrill of that chill.     

Tonight you trace the route you traced in the first summer you found yourself alone under the violet tapers of your darkened sky and the pearl smirk of the crescent moon, in the long grass of a perfectly lonely shred of shore, the one you thought that no one else knew, the one that you knew would erode away to nothing before you ever made it back there again.

Silk beneath your wrinkled fingertips makes you reminisce.

You saw her, her navy mane made you think of the Atlantic abyss you sailed there on, the darkness of its beauty, its secrets, its knowledge, all its power, suspended in the nothing of the atmosphere. It waltzed in the wake of her movements, it made the air swoon into a cool breeze that didn’t carry that stench of sightseers and overworked air conditioners, nor the roar of the resorts you always hated staying at because they weren’t the real Rio; they were too safe to be real – you got on the plane to escape the WASPs not to sip Sangrias with them – you wanted to experience the city with all its flaws, you wanted Brazil – you used to think imperfections were what made things perfect.

 Her face, as she came closer, was split by the moonlight into contrasts. Her eyes glowed, they roared and you felt your heart cower. Her face was heart shaped and her lips were full and her eyes were deep and her cheek bones were high and pronounced and her slight nose gently split these features you always thought were so close to perfection that they were to linger eternally in your fatigued fantasises. She made you think of Shelley and Byron and the thoughts made your body fall beyond the grass, beyond the sand, beyond the sea. Beyond everything. And you liked falling; it was the absence of all but one sensation that made you feel complete for the first time in your life. You were just out of 6th form and your thoughts were anchored in the words of your idols and you wanted to anchor a mind like yours one day but that night you let your dreams drown to live for a moment, even if it was only a moment. You were so bound in the naivety of Romantic ideals that you could not comprehend the thought that the beauty of her, of that place, wasn’t infinite; you didn’t understand why something you loved so much wouldn’t last forever.

She didn’t introduce herself and neither did you, introductions were not needed, your words your thoughts, fears, hopes, dreams, remained unspoken. Murmurs would only corrupt the moment. She came to your side in silence; she turned her body towards you. She was naked beneath the moons’ veil now casting over her body and while your eyes darted across what you were sure was a dream her eyes, jaded at the altar months later, but on that night amber, stayed, almost in ambush, on your face. Eventually, once you had seen all there was to see, you were met by that gaze that had been lying in wait for your return. She made you feel empty, and the feeling was wonderful. It was not an emptiness put there by fear or by loss, but one that only ever surfaces in the light of complete awe. You were at such a loss as her lips rushed to yours and your hands rushed to touch her before she, like the beach, like your dreams, faded.  

But she did fade. She spoke, you spoke, your love shrunk and every syllable you shared with each other ruined the connection you had. You found out who she was and you didn’t like knowing. You wanted her to be forever silent, the eternal enigma, the mistress, so beautiful and so free she was moonlight incarnate. She was supposed to be the muse that drove your pen to paper, a figure to be discussed in classrooms, in lectures, across the world long after your time had come, you wanted to share your legacy with her. But you never became the poet, you never became anything and Shelley rots in a cardboard box in an oak armoire across the room. Your fingers trace across the silk sheets where she used to lie. You cling to the vision of her on that beach. You don’t want to remember the mane as ashen or thinning or fraying, you want to remember the hour glass figure when it was new; you don’t want to remember that the glass warped and splintered and cracked, you want to remember her in the light and dark of the nights’ Rio, not the greyed shades of London daybreak. You don’t want to remember her when she fell apart, but you want to remember that she’s not there for you to trace even more.

You went to scatter her ashes today at your stretch of beach; it wasn’t there and the sand of the shore had become thick clumps of tar beneath your callused heels. The horizon used to be beautifully bare, but now there’s an oil rig and a luxury cruiser side by side, you could see them bleeding darkness into the water; the black veneer eked, eel-like, across the surface. It was so quiet; the only sound the dying rasps of the shore as a blackened sea lapped at it with a bloated tongue. But you could see them out there, if you looked hard, when you pushed the tears from your eyes. You could see their shapes, there was a couple on the deck, and they were alone there, but you could see a party inside, green strobes gushing from the windows, crimson sunset slumping into the sea behind it. You were unsure of what to do, where to start, and all the time the urn was becoming heavier in your arms. You didn’t see a problem with scattering her when you got up this morning, but as you stood there, as you saw the wonders she and you remembered weakened by the world you were to naïve to believe would never find this shore, it didn’t feel like a scattering, it felt like you were going to throw her away. It felt wrong.

She sits now, in the passenger seat of your car. You can’t bring yourself to scatter her anywhere because you know there is nowhere else she’d want to be scattered. And so you sit, alone, on the sheets. Your heart hurts, you temples throb, you’re drowsy, you feel yourself start to smile as you look across at the empty bottle of Aspirin in your heavy hand. You are crying silently, you feel the tears teeter on your eyelashes like the dew you used to feel under your toes in the morning, before they streak across a face so hollow and haggard you do not care to know it anymore. You’re body heaves with spasms of sadness, you feel yourself going, but you’re still smiling. Your fingers are still tracing her echoing form; you feel colder; the sheet feels warmer and there’s a weight at your side. She could be with you, but you can’t be sure, you can’t turn your head to see. But you don’t want to, just in case she isn’t there.

Your heart’s not going as fast as it was a minute ago, your mind’s slowing, your eyes close, and still there’s the beach, and the moon, and the sea and it all feels so euphoric. And the feeling’s starting to end, and everything's going dark. It's all fading, once again.

 

Monday 25 February 2013

Rower - JLG Clift


 
Everything seems clearer

Loved ones feel dearer

Now I know that death is nearer

Everything feels better

 

Since I got the letter

 

Since I got the letter

 

Since I grew the tumour

Since the tumour bloomed

She’s become the loomer

That I once was

Her thoughts trawling pavements

Strewn thin

black as ashes

among the greys of suits and concrete and the traffic

And the news

And the times

Drifting like litter

Past the streets of closing sales

Getting quicker

Like her heart

As mine fails to start

On the operating table

And it dawns on me that I will never be able

To see another face

To have a place

 

Not a plot

 

A place

 

On this planet

I don’t want a tombstone

For my last footprint

A slab of gravel

That I did not create

This is no longer fate

This is a sentence to last minute insanity

My dying thoughts stir with the vilest of profanities

Gushing through like bile

Adding acid tips to sentence ends

And nerves ends

And worlds end

And my end

 

This is not an exit

This is not a finish

The growth has stopped me growing

Without my even knowing

And now the whistles blowing

And soon I will be going

And now I think of rowing

On a lone stretch

Of a crisp black water

Like oil below the narrow boat

I feel hollow in these hallowed waters

Peeling lairs of the black back with my oar

Like a knife through melting butter

Laced with tar

Every ripple makes every row harder

Waves hold me back like the words of my father

My lungs are stinging

And my muscles are singing

No roaring

As the cawing

Of viscous vultures rings above

Liquid wings leave teal traces

In the coiled darkness of an autumn afternoon

And my shirt’s like cling film

across the blunted hills of dampened shoulder blades

Bleeding something clearer than blood

But thicker than sweat

As heavy as mercury

And I would have to be Hercules

To take this another lap

As the horizon draws near

Its darkness breeds fear

Onto the moors

Into my soul

 

And it feels cold

 

And my life feels sold tonight

On this river

To the blackened cityscape

Gleaming

Fingers of chrome, tinted, reaching

Beyond me

I don’t know what for

But I don’t need to know anymore

 

The reaper traverses the chequered mint floor

To my caged bedside

Where so many before me have cried and died and feared

There is no white

No tunnel

No colour

No sound

No light

No will left

To fight my stage four fate

There’s just the oil black of her thinning cape

And the chrome bone of her fingers

And that low sideways smile

Glistening through the slit

That reminds me of my boat

Oarless now

Careless now

No longer feeling the pressure

Fading in the silken tar

Vanishing like the slit

As the letter lands on my lap

Delivered from my past

And the tumour erupts

And I’m flailing in her skinless arms

Gathering flesh as I wither

I was so scared

But now I feel so calm

She means no harm

To you or me

She’s like a mother

And this is like birth

And now I see my body

Buried with unexpected mirth

Upon my face

In the mire of my demise

On a shrinking stretch

Of Perth beachside

She means everything to you

She means nothing to me

You live fearing her

But there’s nothing to fear

There’s no ghoul to see

There’s just her standing

Amid the rungs of eternity

 

 

Thursday 14 February 2013

Jamal's Dead - JLG Clift

CRUNCH  and Jamal's Dead

and I'm in fucking pieces on the floor
contorted in the cracks of a Soul
so cold
so dark
so long
thirsty
for the sound
specs on the carpet
to be sucked up
after hours
by the cleaners
into the devouring groan
that renders all response
meaningless
Just crumbs in the soul
just crumbs in the sole
Just pieces
dancing a withering waltz
in a crying cyclone

Alone

And Jamal he lays dead in the earth
below the street
a block of cold concrete
his sombre headboard
in the arms of the Mothering shadows
set to smother the world from his eyes
and he lets it all go
with a stifled sigh

Tuesday 5 February 2013

'In the throws...' - JLG Clift

In the throws of an outrageous
passion for the impossible I leap
and confess my birthing cries
from level ground
into the free fall

I cannot see the bottom
and i know that the
mires of darkness
will cleanse the sight
from my eyes soon

Never again will I
see, nor will i hear
nor will i smell
the pungent swells
of a glacial city
what a pity
that now i am
bound to the darkness
of these cascading caves
my vision slave to the
endlessness of
what could be
what might be
my mind free to
walk the unknown
alone

what a pity
to be so far from the city
to be so deep
into the unreal
failing to feel
what can be touched

why would you
when you can exist
in awe
of the untouchable?

Man - JLG Clift

When did he become the man
he's come to be?
when did the world become
something to flee from?
Where does this man, the real man
belong?
what does this real man
do wrong?
when did they first neglect him?
Why do they still reject him?
Because he refused to genuflect
before the golden statue
of the impoverished man?

No God

No Son of God

No.

Man

On what shores does the real man stand?
No land, it becomes clear as
time draws near
lost through the grains
flooding through the chipped hour glass
Time, thoughts, Men, pass, alone
they throw their infant words out, orphans
 among the battling beaks
of boyish drones

Friday 1 February 2013

Counterclockwise - JLG Clift

Live life by the rigid flailing
of the trinity of these arms and hands
to their tick
to their tock
to their clap
in their clock
facial expressions
cock like pistols
every moment
lock you into
to their rhythm
so unbearably steady
unchanging
immortal
immortally dull
culling freedoms

Live life by your own beat
embrace the wonderous uncertainty
echoing through an insatiable eternity
sample all
counter the clock
and you shall be a wiser man for it

Mother - JLG Clift

the gutters today
overflow
with the tears
shed
from our Mother's
reddened eyes
and darkened skies
we heard her stormy roars
and have felt
her scorching fury
but now come the clouds
of her closing eyes that loose
the first drops
and the heavy sobs that
gush sagging winds
around your body
so weary from
the swings
and the tides
she controls now the
seas that unfold
with a harrowed ease
the strongest ships

in the slightest breeze
she strips the man
back to the boy
you shiver in the puddles
your trimmed trench coat
that drapes
in cluttered coils
around you

It's gotten too big