state of things
i am
we are
in
a
state
of things
cities full
of perishables
all of us
become
extensions
of our
things
sucked
into the
sludge
trapped
in our
shrines
to our stuff
waiting
to erode
into metropolis
paved over
to form
foundations
for more
states
and more things
sorry to
state
the obvious
but i must
for i feel
we have
been blinded
by materials
sealed our
eyes shut
out the
common sense
we don't need
common sense
we have
things
to
replace that
we have
things
to replace
everything
one day
we will have
a thing
to replace
ourselves
sorry
for stating
the obvious
Translate
Friday, 28 September 2012
Sunday, 26 August 2012
Elective Destruction - JLG Clift
I give you
Grass, lovers, life,
law, faith, poetry, man
Victory, song, sound,
colour,
Purple green yellow
orange black brown
Red, white, blue
Thought
Progress
I give you
Suicide
Rot, death, wrecks,
lies, sin, man, fractured
Lovers, baying for
affection in the arms of another
False partner as
The American
Dream roars in the guts of the
Cars racing in
grumbles past their mo-
Tell us of vows now vacuous
Empty words
Retreat
Progress
Retreat
Thought’s trickle to
the front of the
Mind
Too late to act
We are stumbling
We are crumbling
Light bursts through
The window of the
motel as
The lost lovers
intertwine
Impoverished
Once again
The roar of the
American
Dream
Engine
Is
With them,
Reaches for the
western wall,
Stretches for the TV
Set
Breaks the forth wall
Big Dreams are
ploughing
Threw smaller dreams
Asunder
It’s voyage crushes
Tangled comforts
Thuds through the head
Boards the furniture
to watch
The future
Big Dreams pounced on
small
One
‘S
Mercy
Less
They had their eyes
closed
They don’t look
They don’t look
At
Each other
They have never
looked at each other
They will never
They are native
Paste on the
Arches of progress.
Engine parks up
Light hits the TV
Power
On
Power
Houses of American
Dreams pull up
To watch the
Show
It’s been a
Hell of a ride
Ladies, gentle
Men
I give you
Progress
I give you
An Election
Drive
Wednesday, 22 August 2012
Echos - JLG Clifft
do we
crumble
so
easily?
what have
we
become? nothing
absolutely
fucking
nothing
eek
our lives
away
hour by hour
apathy
incarnate
apathy
eternally
makes me
want to
bring
a shotgun
to school
make canyons
though the
thickness
of my
peers
send some
buckshot
facts
through
forgetful
fools
make them
see
feel
leak
wince
twitch
die
by the
truths
of
the void
between
what
we are
and what
we
should
be
i watch
them become
ashamed
of our culture
the
raputre
of a
revelation
ruptures
their
bodies
travels
from the barrel
faster than
sound
it is
the fastest
thing
in existence
whistling
through
corridors
it is
thought
revelation
that
becomes
revolution
once stuck
in their
cattle
thick
skulls
it'd be
worth it
if it causes
someone
to have
an
opinion
i will
take the
consequence
savaged
by
SWAT
have my brains
become
plaster on the wall
they line
me up against
a noble
exit
a martyrs
exit
to become
nothing
like everything
we are
but
at least
i tried
we
shut off
a long
time ago
saw the world
hand us everything
we could ever
want
and then
snatch it
away
to give to the few
that didn't
need
and we
couldn't
go
on
had to
create
comatose
states
to exist in
too much
pain to
go on
like we had
when we
held hands
and embraced
in fields
before
vanishing
beneath the
big
black
boots
of power
we
were trampled
became
part of the
earth we
protested
on our
bodies
lost
but the
words
linger
our revelations
echo
eternally
i hear
them
you hear
them
we
hear
them
but
we
are
scared
we have
seen
what happens
we have seen
too much
to dare
any
more
we deafen
ourselves
turn up
TOWIE
tune out
the thoughts
our
culture
was founded
on
we're
dominoes
waiting
for a
revelation
to spark
a revolution
one of words
and reason
met with
the force
of the revolted
rulers
but not
beaten
by it
we win
it
takes
one
just
one
they can't
catch us
all
like they
caught
me
can they?
crumble
so
easily?
what have
we
become? nothing
absolutely
fucking
nothing
eek
our lives
away
hour by hour
apathy
incarnate
apathy
eternally
makes me
want to
bring
a shotgun
to school
make canyons
though the
thickness
of my
peers
send some
buckshot
facts
through
forgetful
fools
make them
see
feel
leak
wince
twitch
die
by the
truths
of
the void
between
what
we are
and what
we
should
be
i watch
them become
ashamed
of our culture
the
raputre
of a
revelation
ruptures
their
bodies
travels
from the barrel
faster than
sound
it is
the fastest
thing
in existence
whistling
through
corridors
it is
thought
revelation
that
becomes
revolution
once stuck
in their
cattle
thick
skulls
it'd be
worth it
if it causes
someone
to have
an
opinion
i will
take the
consequence
savaged
by
SWAT
have my brains
become
plaster on the wall
they line
me up against
a noble
exit
a martyrs
exit
to become
nothing
like everything
we are
but
at least
i tried
we
shut off
a long
time ago
saw the world
hand us everything
we could ever
want
and then
snatch it
away
to give to the few
that didn't
need
and we
couldn't
go
on
had to
create
comatose
states
to exist in
too much
pain to
go on
like we had
when we
held hands
and embraced
in fields
before
vanishing
beneath the
big
black
boots
of power
we
were trampled
became
part of the
earth we
protested
on our
bodies
lost
but the
words
linger
our revelations
echo
eternally
i hear
them
you hear
them
we
hear
them
but
we
are
scared
we have
seen
what happens
we have seen
too much
to dare
any
more
we deafen
ourselves
turn up
TOWIE
tune out
the thoughts
our
culture
was founded
on
we're
dominoes
waiting
for a
revelation
to spark
a revolution
one of words
and reason
met with
the force
of the revolted
rulers
but not
beaten
by it
we win
it
takes
one
just
one
they can't
catch us
all
like they
caught
me
can they?
Friday, 27 July 2012
Pompeiic - JLG Clift
Run
Keep
Running
Feet
clapping
like the
crowds
that have come
for you
Run
do it
just do it
you can do it
ignore
the bombs
going off
around you
see the
carnage
ravage
the stands
as
bodies erupt
into paste
and slap against
camera's
right
the lens
stalks
the anarchy
to see you
run the
hundred
in under
ten
the footage
is priceless
the death
irrelevant
as your legs
pump they're
mechanised marched
at 100 miles
an hour
2012
people
at the
stadium dead
in a city
crumbling
as the
track
stars
tumble
to the rasps
of rifles
you are the only
one to cross the
finish line
you did it
you
broke the record
the cabinet
applaud
from number 01
sipping cider
under the
shade of
ivy clad
parasols
regal chuckles
echo like
wind in
blizzards
above the crackle
of carnage
London
decimated
by Patriots
Pride
Pagan
Idols
Ideals
imported
from
Athens
Olympians
come over
Oblivious
they arrive
Trojans
for
Terror
All as planned
We are
lost
to
Oblivion
as a
mushroom
bursts across
sagging sunrise
spreads like
fungus
strips our skin to
the bone
Number 01
lives on
the Cabinet
closed over
put on the top
shelf
safe from
irrelevant
masses
crumble
the next
day
when the world
walks through
they dub
what
they see
'Pompeiic'
we are
heinous
sites
a permafrost
sea
of
3D
shadows
obsidian
with a
tint of
red
crumbling into
the pavement
at the click
of a
shutter
snapping
at
a charred
family
fused to
the rotting leather
seats
of a 4 by 4
as
the world
is fused to
sofas
gawping
at the
spectacle
they can't
believe
you broke
the record
the Cabinet
emerge
from the darkness
of their hideaway
they look
well
rested
their suits
are immaculate
they got a tan
before
they arrive
staff barge through the
charred crowds
we are but
relics of
current
events
to be shattered
and swept
into the gutters
that's where the
staff has been
told
they
belong
a light man
in a dark suit
and power tie
approaches
an
antique
ash
lectern
set up by staff
in preparation
for his return to
the surface
his face is
rouge
on film
his shadow
stretches
all the way
up the face of
Number 01
a streak of
tarmac upon
the whiteness
of the brickwork
the shadow
has horns
like shards
of glass
his cowlick
it must be
his cowlick
the staff
slick it down
and disappear
into the irrelevance
outside of
the len's eye
his lips
draw back
into a smile
as he turns
to his Right
Hand in a Yellow
tie
and winks
the red light
comes on
and he is
on air
the smile is
gone
he is on show
now
to the world
'this is
a sad day
for London
but we will
prevail'
the lenses
continue to
snap
like
the jaws
of rabid dogs
chomping
for the front page
the speech
rattles through
the airwaves
the delivery
is
Oscar Worthy
a nation, is brought
to its knees
by the words
he says
practised in the
mirror as he
shaved
this morning
he smelled our death
outside
a couple of
spurts
of his aftershave
saw to our memories
the camera shuts
down, and he steps
from his
podium
to hear the good
news
from Os
'the Borne to be'
chancellor
'good news DC, we've been given
a global donation, the recession
is over'
a high five
echoes down
the street
as the
Right
Honourable
Gentlemen
celebrate
'told you it would work'
Keep
Running
Feet
clapping
like the
crowds
that have come
for you
Run
do it
just do it
you can do it
ignore
the bombs
going off
around you
see the
carnage
ravage
the stands
as
bodies erupt
into paste
and slap against
camera's
right
the lens
stalks
the anarchy
to see you
run the
hundred
in under
ten
the footage
is priceless
the death
irrelevant
as your legs
pump they're
mechanised marched
at 100 miles
an hour
2012
people
at the
stadium dead
in a city
crumbling
as the
track
stars
tumble
to the rasps
of rifles
you are the only
one to cross the
finish line
you did it
you
broke the record
the cabinet
applaud
from number 01
sipping cider
under the
shade of
ivy clad
parasols
regal chuckles
echo like
wind in
blizzards
above the crackle
of carnage
London
decimated
by Patriots
Pride
Pagan
Idols
Ideals
imported
from
Athens
Olympians
come over
Oblivious
they arrive
Trojans
for
Terror
All as planned
We are
lost
to
Oblivion
as a
mushroom
bursts across
sagging sunrise
spreads like
fungus
strips our skin to
the bone
Number 01
lives on
the Cabinet
closed over
put on the top
shelf
safe from
irrelevant
masses
crumble
the next
day
when the world
walks through
they dub
what
they see
'Pompeiic'
we are
heinous
sites
a permafrost
sea
of
3D
shadows
obsidian
with a
tint of
red
crumbling into
the pavement
at the click
of a
shutter
snapping
at
a charred
family
fused to
the rotting leather
seats
of a 4 by 4
as
the world
is fused to
sofas
gawping
at the
spectacle
they can't
believe
you broke
the record
the Cabinet
emerge
from the darkness
of their hideaway
they look
well
rested
their suits
are immaculate
they got a tan
before
they arrive
staff barge through the
charred crowds
we are but
relics of
current
events
to be shattered
and swept
into the gutters
that's where the
staff has been
told
they
belong
a light man
in a dark suit
and power tie
approaches
an
antique
ash
lectern
set up by staff
in preparation
for his return to
the surface
his face is
rouge
on film
his shadow
stretches
all the way
up the face of
Number 01
a streak of
tarmac upon
the whiteness
of the brickwork
the shadow
has horns
like shards
of glass
his cowlick
it must be
his cowlick
the staff
slick it down
and disappear
into the irrelevance
outside of
the len's eye
his lips
draw back
into a smile
as he turns
to his Right
Hand in a Yellow
tie
and winks
the red light
comes on
and he is
on air
the smile is
gone
he is on show
now
to the world
'this is
a sad day
for London
but we will
prevail'
the lenses
continue to
snap
like
the jaws
of rabid dogs
chomping
for the front page
the speech
rattles through
the airwaves
the delivery
is
Oscar Worthy
a nation, is brought
to its knees
by the words
he says
practised in the
mirror as he
shaved
this morning
he smelled our death
outside
a couple of
spurts
of his aftershave
saw to our memories
the camera shuts
down, and he steps
from his
podium
to hear the good
news
from Os
'the Borne to be'
chancellor
'good news DC, we've been given
a global donation, the recession
is over'
a high five
echoes down
the street
as the
Right
Honourable
Gentlemen
celebrate
'told you it would work'
Tuesday, 17 July 2012
Creator Colonial - By JLG Clift
i walk on water
i walk on land
stand in every
texture, my foot
prints have soiled every
plate of food for
my young
my pure, my future
colonials
i walk
in
thunder clouds
they call
me white
lightning
but i have
so many
names
i let my future strike
like 9
tales of my power
dart from the mouth of the
wise to the children
their gods
know my
chil
dren's
sec
rets
but no one wants to listen
as they first arrive, with gifts
May
we
Flower
in the dawn of the new world
my children's leather
feet
are mistaken for
hooves
in the prints they make
as they bring clothes,
and concepts
and language
and friendship
and pity
and arrogance
and alcohol
and industry
and sickness
to noble savages
cannon fodder to the history of
U.S
to be reserved in huts
as we build around them
a reserved warning,
stilted in time
of why
my children are
so great
of why i am,
so great
but the first time
none of this happens
my colony
my message
and me
we sit with the
native sheep that grazed
the Plains where they saved
us from what should have
'been out in the cold;
too long; we are lost children'
we told them
lies
all
lies
they trusted like Good animals do
and now i shake
hands with the chief
and his wife
i like his headdress
like the blood red feathers and the tear blue beads
it is sacred to him
it will be on a carton of cigarettes
in years to come
good old
Natural Americans
their Spirits are mine
feel her flesh, warm, she feels like sunrise
silken palms
are crushed between my ice white
Callas
hands
in greetings
at the start of
the
first thanksgiving
they are sitting down to eat
our poisoned traditions
and my children, my colony, will be
sitting alone in years to come
they won't be here
they will be in
holes,
sacred to them
sacred to us
until our pity gives way
and we need
new land to build on
a man sits now,
hair thinned, white, sagging skin tanned like leather
beneath a tailored suit
and power
tie loosened in anticipation
of a Sunday roast
slaved over by black
shadows in white aprons
four hours
eaten in minutes over
scraping forks and
pop culture quotations
no thanks
look like a working man
but his hands are smooth
he hasn't worked
ever
because he is my colonial
and i love him
i gave him land
oil
money
he gives me a war,
he gives me a massacre
influence
god bless GW
I'm not god
but that is
one
of my names
i walk on land
stand in every
texture, my foot
prints have soiled every
plate of food for
my young
my pure, my future
colonials
i walk
in
thunder clouds
they call
me white
lightning
but i have
so many
names
i let my future strike
like 9
tales of my power
dart from the mouth of the
wise to the children
their gods
know my
chil
dren's
sec
rets
but no one wants to listen
as they first arrive, with gifts
May
we
Flower
in the dawn of the new world
my children's leather
feet
are mistaken for
hooves
in the prints they make
as they bring clothes,
and concepts
and language
and friendship
and pity
and arrogance
and alcohol
and industry
and sickness
to noble savages
cannon fodder to the history of
U.S
to be reserved in huts
as we build around them
a reserved warning,
stilted in time
of why
my children are
so great
of why i am,
so great
but the first time
none of this happens
my colony
my message
and me
we sit with the
native sheep that grazed
the Plains where they saved
us from what should have
'been out in the cold;
too long; we are lost children'
we told them
lies
all
lies
they trusted like Good animals do
and now i shake
hands with the chief
and his wife
i like his headdress
like the blood red feathers and the tear blue beads
it is sacred to him
it will be on a carton of cigarettes
in years to come
good old
Natural Americans
their Spirits are mine
feel her flesh, warm, she feels like sunrise
silken palms
are crushed between my ice white
Callas
hands
in greetings
at the start of
the
first thanksgiving
they are sitting down to eat
our poisoned traditions
and my children, my colony, will be
sitting alone in years to come
they won't be here
they will be in
holes,
sacred to them
sacred to us
until our pity gives way
and we need
new land to build on
a man sits now,
hair thinned, white, sagging skin tanned like leather
beneath a tailored suit
and power
tie loosened in anticipation
of a Sunday roast
slaved over by black
shadows in white aprons
four hours
eaten in minutes over
scraping forks and
pop culture quotations
no thanks
look like a working man
but his hands are smooth
he hasn't worked
ever
because he is my colonial
and i love him
i gave him land
oil
money
he gives me a war,
he gives me a massacre
influence
god bless GW
I'm not god
but that is
one
of my names
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