Delores
is
looking
at
me
lusty
lithium
eyes
rest in mine
for comfort
to enchant
smoky in
colour she
is part
of a fantasy
i have
had since
i first
had
her
all those years
ago
She comes
from
a time
before
my life
now
her name
is
Delores
Evelyn
Eryx
Venus
could not
touch her
beauty
as she
lets her
Furs
roll off
crushed velvet
shoulders
as fair as
milk
but golden
in the warm
glow of the
Art Deco
lamp in the
corner
the black
Wolf's
skin
tumbles
like
a
waterfall
down the
flawless
face
of her
white
satin
back
so innocent
she looks
new born
furs
reach
the ground
beside her
school bag
and rustle
curtains
at the
opera
i take her
in
the light plays
off
her
strawberry
blonde
hair
in a bun
but unfurling
as
black chopsticks
are drawn
from
it
flows as
tinted
ink
cascades
down her
breasts
traces
hardened
nipples
surfs
over
her shoulder blades
as she arches
forwards
and
slides
her fingers
painted
streetwalker
red
over
the body
that
will always
belong
to me
the way it has
since we
met in
Sicily
all those
years ago
she
looks
so innocent
so innocent
but she
isn't
not any
more since
we discovered
uncovered
each other
reunited
in a
Roman
Cafe
17 years
after
we had
met
we became
lovers
her
fingers
mani-
cured
call me
to the
bed
to cure
me of
my ills
my idol
Delores
falls
once again
into
the
blue velvet
duvet
of the
room
her body a
feather
helpless but
to ride the
wind of
primal
desires
surrenders
her body
to
mine
She is
fan
tas
tic
every
thing i wanted
the best
money could
buy her body
is softer
every time
i feel it
skin tastes like
she bathes in
honey as
i tongue
perfection
head clamped
between stockinged
columns
china white
Delores
is
innocence
incarnate
but
she is
Venus
Eryx
always
when i am
here her
primal groans
echo through
the hotel room
I've kept
the lights on
to see her face
my family are
back in the apartment
on the
Upper East
I will
take the limo
when
I've
had my fill
of purchased
paradise
we are lost
to this feral
fantasy
our bodies
tangle
on the covers
feel her moist tongue
tease my
neck
as she pants
and
i grunt
time lapses
my lives
merge in
the outrage
of this
climax
her nails
rake down
my back
like the parting of
curtains
as i itch
her scratch
kiss her neck
just to hear
a last
youthful moan
tickle my senses
trickle through
my ear
something to
think about
with Sarah
later
i was a younger
man when
i met her
first
but she is
ageless
youth
forever
she will
always
look the same
to me
and
i love her
like
my daughter
in the smog
of a Chesterfield
Delores
picks herself
up and
puts on
her school
uniform
a word
hangs
twitching
between us
as the
Dada
dangles
in the lobby
'can we do a
different
scene
next week?'
'of course we can
Delores'
a gang of
Benjamins stretch
out from my
hand
in a money
clip and grace
her palms
'i'm not a real
hooker you know? You
don't have to give
me this'
'your my girl
Delores, i can't
have you
out there
penniless'
Venus Eryx
smiles
approves
and her hand
takes the clip
'see you next week
Dee'
we feel
warmer
than before
in the
glow
of
mutual
satisfaction
leave the room
sly smiles
all the way back
to our
lives
between
living
we only know life
in this room
in the excitement
and the discovery
and the sin
Taboo
always did
turn me on
i see it's
Genetic
Translate
Friday, 28 December 2012
Thursday, 15 November 2012
Channel Child By JLG Clift
My little brother
he knows what's
on
He's my families
TV
Guide
Never lost with
a remote in his hand
like Columbus
he has discovered
a new world
but has never left the house
skin is ashen
he looks like
a victim of
holocaust
but he
doesn't mind
he has his remote
and his wi fi
and he feels
free
his hair is oil slick black
so greasy it
changes colour with
the channel
what do u
want to watch
Joe?
his eyes
used to have
colour
but now
they are dull
when not lit
by HD
he never draws the blinds
but he sees Sky
every day
his face is
brightened by it
he knows all
about Peppa Pig
and Hackgate
and genocide
and Rastamouse
and the rich list;
Deadly
60
women raped by this
man
he tells me
'horrible, horrible'
he quotes Bill
Turnbull like
firing off
scripture
my brother is
5
years
old
he knows more
about this world
than i ever can
a Guru for the
Naughties
his knowledge
is
universal
generational
omnipotent
within the church
of the Watershed
He is
an
On Demand
Disciple
this is not
of our world
this is
the stuff
of dreams
dreamt by
Murdered
Murdoch
minds
and sickly
Fox(es)
A transformation
is occurring
His ears
begin to merge
with our set
become antenna
to keep contact
with the world
outside
his TV
add breaks
my brother
tuts
they are like
fliers in the
Bible
to him
i want to enhance
signal Joe
my brother is
Set to be like this
forever
he doesn't care
for school, he does
not care
for anything
but TV
he sits, cross legged
a skeleton child
his skin so thin
like white tac stretched
over the bones
pinned at
the joints by
moles and
scabs.
I've watched the box
suck the
flesh from
his bones
over
the years
channel
by
channel
who am i
to stand in the
way of him
and his church?
he is a Child of
these Channels
he is
lost
without them
i can enhance the
signal Joe
my little brother
rocks forward
i saw it
in an advert
for
Virgin
thoughts
collide
with a shattering
that rings out
on Breakfast
as his head
breaks the
fourth wall
sparks kick out
gilded
fireworks
in celebration
of the
Prodigal
Son's
Return
as the screen bursts
around his crown
a halo in faltering
clarity
as Jerry clouts
Tom with a
shovel
no sound is heard
but the picture remains
replaced within
a moment
by nothing
for nothing
fractured panes
hit the
white rug
a patch work of arterial
red in
hunt of the
images
but they are
gone
and the blood
slumps
disappointed
as gravity
rakes it down
the shards
the glass catches
the scene
and reflects
all emotion
absolved in it's
apathy
blood is boiling
in the
surround sound
i hear it's last
static stutters
'viewer digression
is advised'
it
cries
coughs
chokes
dies
his head
smolders in
the set
like tar
A Virgins red
Sky's blue
combine into
purple sludge
crawls down
my brothers
neck
shoulder
blades have left
cheeks
forehead
skinned
skinned
by the screen
held in place
it pins tissue to the lilac
flesh like it's
holding up
an
unfinished
garment
a would be
masterpiece
could've been
a masterpiece
My little brother
he is what's on
He always
wanted to
be
in TV
Sunday, 14 October 2012
the Phoenix Couple - JLG Clift
The worthless drones
From hopeless homes
Chant pointless lines
In perfect time
They mourn for her
The heartless whore
It makes my fucking stomach stir
I’m all alone
No fucking home
No fucking land
To hold my hand
No country song
To chant along
WITH THEM
She broke my heart
The fucking tart
The fucking cheek
To fucking speak
She sits and cries
Spills fucking lies
Into my ears
Sheds crock skin tears
Onto my bed
Into my head
She can’t be here
She’s fucking dead
WITH THEM
It’s gone to shit
The lot of it
I’m looking down
From higher ground
Watch you leave
In fucking heaps
Hit the ground
No fucking sound
Just fucking mounds
And fucking mounds
And I am not
WITH THEM
The last man stands
On no man’s land
No one to hold
His fucking handOn no man’s land
No one to hold
I look the wreck
Too lost to check
The fucking text
Upon the screen
If I had
I would have seen
The last words she
Fucking said:
‘I wish you’d all
Drop fucking dead
I cannot take
You in my head
I shall not die
I shall not wed
The fucking man
In the fucking sand
Proclaiming his love
Unto the land
I cannot stand
I cannot stand
The nicest souls
Meant for mine
They think I am
So fucking divine
I’m not I’m not I’m not
That girl
I do not take the bitter
World with virgin eyes
And a tender mind
All I see is
Fucking lies
And fucking lies
And fucking cheatsAnd fucking freaks
I cannot take
This fucking heat
I cannot stand
I cannot stand
Get out of the
fucking Sand
You Loathsome Man
I do not wish
To live my life
With you in this
Fucking land
Nor fucking here
Nor fucking there
Or mother-fucking anywhere
I merely want
To eek along
I do not care
For your fucking songs
And sugared words
And infant eyes
You’re fucking great
I’m fucking lies
Bravo
Congrats
Surprise Surprise
You make me feel
This fucking way
There's nothing left
To fucking say
To fucking say
I cannot stand
I cannot stand
Don’t try to hold
My fucking hand
Leave me on The fucking track
I want this world
To fade to black’The fucking pit
Piece of shit
There is no smile
Upon my face
In fact I feel
A fucking disgrace
I blame myself for
The fucking girl
Who shed those words
To burn the world
To burn my heart
And singe my soul
Make my thoughts
As black as coal
I want to dive in
To this fucking hole
To this fucking hole
But there’s no room
For me to loom
To fall into
My fucking doom
No fucking room
For timely demise
I walk the world
Her fucking lies
The only words
Inside my head
shadow vultures
pick the dead
but one amoung
glows cherry red
the Phoenix burningshadow vultures
pick the dead
but one amoung
glows cherry red
feathers churning
on the winds flailing
her body failing
the rot scaling
the wings
strips the feathers
from the bones
she cries above
the constant yearning
never learning
i don't care
Anymore
she can scream
her rouge throat raw
until she falls
into the hole
her body burned
red turns to coal
and she does
and she has
And now she laughs
Down in the pit
For leaving me
This heap of shit
And I am trapped
WITH HER
WITH
NO ONE
WITH HER
WITH
NO ONE
WITH HER
Thursday, 11 October 2012
Native Thoughts - JLG Clift
There is
a surge
an urge
a burn
a churn
a drive
that thrives
within my
soul
I am
failing
to control
this vibe
that courses
through
sub-
conscious realms
as a tribe
of need
they chant
for a breaking
as my
teacher
rants
about taking
the message of
mediocrity
'i must break free' but
his preaches persist
and are absorbed
by tribe-less minds
colonised
sterilised
victimised
I will not
become
one
of
them
Ode to a Teacher - JLG Clift
Facist swine
that
takes my wants
to wine and dine
doesn't have
to strive to
get what I
could never
afford
hoardes
everything
I ever
wanted
he keeps
them
in vaults
vaults that
run in
spirals down
Number 10
down his storage
towers above us
in every
poster
roars
in every
speech
But I've
met him
looked down
at him
heard his
speech tumble
in
mumbles from
trembling lips
'Don't Hurt Me'
he stutters
in mutters
I wish I had
that
takes my wants
to wine and dine
doesn't have
to strive to
get what I
could never
afford
hoardes
everything
I ever
wanted
he keeps
them
in vaults
vaults that
run in
spirals down
Number 10
down his storage
towers above us
in every
poster
roars
in every
speech
But I've
met him
looked down
at him
heard his
speech tumble
in
mumbles from
trembling lips
'Don't Hurt Me'
he stutters
in mutters
I wish I had
Public School Primitives - JLG Clift
Look around
see them
dragging
their
knuckles
PMs
Primitive Ministers
Yahoo
is a
compliment
to the
Eton chimps
that bang
their fists
on relic desks
that
serve as
altars for a
sacrifice
of reason
laws, wise words
are torn out
hurled
balled up they
leave simian grasps
fly from
right
to left
from left
to right
thuds
followed
by howls
that echo through
these hallowed
halls once housed
nation's fate
but no longer
look around
and i
see them
dragging
their
knuckles
our fate
is decided
we are all
lost in the
wake of
primitive
notions
forced
to
endure the
motions
of this
privileged
zoo
see them
dragging
their
knuckles
PMs
Primitive Ministers
Yahoo
is a
compliment
to the
Eton chimps
that bang
their fists
on relic desks
that
serve as
altars for a
sacrifice
of reason
laws, wise words
are torn out
hurled
balled up they
leave simian grasps
fly from
right
to left
from left
to right
thuds
followed
by howls
that echo through
these hallowed
halls once housed
nation's fate
but no longer
look around
and i
see them
dragging
their
knuckles
our fate
is decided
we are all
lost in the
wake of
primitive
notions
forced
to
endure the
motions
of this
privileged
zoo
Friday, 28 September 2012
Stating the Obvious - JLG Clift
state of things
i am
we are
in
a
state
of things
cities full
of perishables
all of us
become
extensions
of our
things
sucked
into the
sludge
trapped
in our
shrines
to our stuff
waiting
to erode
into metropolis
paved over
to form
foundations
for more
states
and more things
sorry to
state
the obvious
but i must
for i feel
we have
been blinded
by materials
sealed our
eyes shut
out the
common sense
we don't need
common sense
we have
things
to
replace that
we have
things
to replace
everything
one day
we will have
a thing
to replace
ourselves
sorry
for stating
the obvious
i am
we are
in
a
state
of things
cities full
of perishables
all of us
become
extensions
of our
things
sucked
into the
sludge
trapped
in our
shrines
to our stuff
waiting
to erode
into metropolis
paved over
to form
foundations
for more
states
and more things
sorry to
state
the obvious
but i must
for i feel
we have
been blinded
by materials
sealed our
eyes shut
out the
common sense
we don't need
common sense
we have
things
to
replace that
we have
things
to replace
everything
one day
we will have
a thing
to replace
ourselves
sorry
for stating
the obvious
Sunday, 26 August 2012
Elective Destruction - JLG Clift
I give you
Grass, lovers, life,
law, faith, poetry, man
Victory, song, sound,
colour,
Purple green yellow
orange black brown
Red, white, blue
Thought
Progress
I give you
Suicide
Rot, death, wrecks,
lies, sin, man, fractured
Lovers, baying for
affection in the arms of another
False partner as
The American
Dream roars in the guts of the
Cars racing in
grumbles past their mo-
Tell us of vows now vacuous
Empty words
Retreat
Progress
Retreat
Thought’s trickle to
the front of the
Mind
Too late to act
We are stumbling
We are crumbling
Light bursts through
The window of the
motel as
The lost lovers
intertwine
Impoverished
Once again
The roar of the
American
Dream
Engine
Is
With them,
Reaches for the
western wall,
Stretches for the TV
Set
Breaks the forth wall
Big Dreams are
ploughing
Threw smaller dreams
Asunder
It’s voyage crushes
Tangled comforts
Thuds through the head
Boards the furniture
to watch
The future
Big Dreams pounced on
small
One
‘S
Mercy
Less
They had their eyes
closed
They don’t look
They don’t look
At
Each other
They have never
looked at each other
They will never
They are native
Paste on the
Arches of progress.
Engine parks up
Light hits the TV
Power
On
Power
Houses of American
Dreams pull up
To watch the
Show
It’s been a
Hell of a ride
Ladies, gentle
Men
I give you
Progress
I give you
An Election
Drive
Wednesday, 22 August 2012
Echos - JLG Clifft
do we
crumble
so
easily?
what have
we
become? nothing
absolutely
fucking
nothing
eek
our lives
away
hour by hour
apathy
incarnate
apathy
eternally
makes me
want to
bring
a shotgun
to school
make canyons
though the
thickness
of my
peers
send some
buckshot
facts
through
forgetful
fools
make them
see
feel
leak
wince
twitch
die
by the
truths
of
the void
between
what
we are
and what
we
should
be
i watch
them become
ashamed
of our culture
the
raputre
of a
revelation
ruptures
their
bodies
travels
from the barrel
faster than
sound
it is
the fastest
thing
in existence
whistling
through
corridors
it is
thought
revelation
that
becomes
revolution
once stuck
in their
cattle
thick
skulls
it'd be
worth it
if it causes
someone
to have
an
opinion
i will
take the
consequence
savaged
by
SWAT
have my brains
become
plaster on the wall
they line
me up against
a noble
exit
a martyrs
exit
to become
nothing
like everything
we are
but
at least
i tried
we
shut off
a long
time ago
saw the world
hand us everything
we could ever
want
and then
snatch it
away
to give to the few
that didn't
need
and we
couldn't
go
on
had to
create
comatose
states
to exist in
too much
pain to
go on
like we had
when we
held hands
and embraced
in fields
before
vanishing
beneath the
big
black
boots
of power
we
were trampled
became
part of the
earth we
protested
on our
bodies
lost
but the
words
linger
our revelations
echo
eternally
i hear
them
you hear
them
we
hear
them
but
we
are
scared
we have
seen
what happens
we have seen
too much
to dare
any
more
we deafen
ourselves
turn up
TOWIE
tune out
the thoughts
our
culture
was founded
on
we're
dominoes
waiting
for a
revelation
to spark
a revolution
one of words
and reason
met with
the force
of the revolted
rulers
but not
beaten
by it
we win
it
takes
one
just
one
they can't
catch us
all
like they
caught
me
can they?
crumble
so
easily?
what have
we
become? nothing
absolutely
fucking
nothing
eek
our lives
away
hour by hour
apathy
incarnate
apathy
eternally
makes me
want to
bring
a shotgun
to school
make canyons
though the
thickness
of my
peers
send some
buckshot
facts
through
forgetful
fools
make them
see
feel
leak
wince
twitch
die
by the
truths
of
the void
between
what
we are
and what
we
should
be
i watch
them become
ashamed
of our culture
the
raputre
of a
revelation
ruptures
their
bodies
travels
from the barrel
faster than
sound
it is
the fastest
thing
in existence
whistling
through
corridors
it is
thought
revelation
that
becomes
revolution
once stuck
in their
cattle
thick
skulls
it'd be
worth it
if it causes
someone
to have
an
opinion
i will
take the
consequence
savaged
by
SWAT
have my brains
become
plaster on the wall
they line
me up against
a noble
exit
a martyrs
exit
to become
nothing
like everything
we are
but
at least
i tried
we
shut off
a long
time ago
saw the world
hand us everything
we could ever
want
and then
snatch it
away
to give to the few
that didn't
need
and we
couldn't
go
on
had to
create
comatose
states
to exist in
too much
pain to
go on
like we had
when we
held hands
and embraced
in fields
before
vanishing
beneath the
big
black
boots
of power
we
were trampled
became
part of the
earth we
protested
on our
bodies
lost
but the
words
linger
our revelations
echo
eternally
i hear
them
you hear
them
we
hear
them
but
we
are
scared
we have
seen
what happens
we have seen
too much
to dare
any
more
we deafen
ourselves
turn up
TOWIE
tune out
the thoughts
our
culture
was founded
on
we're
dominoes
waiting
for a
revelation
to spark
a revolution
one of words
and reason
met with
the force
of the revolted
rulers
but not
beaten
by it
we win
it
takes
one
just
one
they can't
catch us
all
like they
caught
me
can they?
Friday, 27 July 2012
Pompeiic - JLG Clift
Run
Keep
Running
Feet
clapping
like the
crowds
that have come
for you
Run
do it
just do it
you can do it
ignore
the bombs
going off
around you
see the
carnage
ravage
the stands
as
bodies erupt
into paste
and slap against
camera's
right
the lens
stalks
the anarchy
to see you
run the
hundred
in under
ten
the footage
is priceless
the death
irrelevant
as your legs
pump they're
mechanised marched
at 100 miles
an hour
2012
people
at the
stadium dead
in a city
crumbling
as the
track
stars
tumble
to the rasps
of rifles
you are the only
one to cross the
finish line
you did it
you
broke the record
the cabinet
applaud
from number 01
sipping cider
under the
shade of
ivy clad
parasols
regal chuckles
echo like
wind in
blizzards
above the crackle
of carnage
London
decimated
by Patriots
Pride
Pagan
Idols
Ideals
imported
from
Athens
Olympians
come over
Oblivious
they arrive
Trojans
for
Terror
All as planned
We are
lost
to
Oblivion
as a
mushroom
bursts across
sagging sunrise
spreads like
fungus
strips our skin to
the bone
Number 01
lives on
the Cabinet
closed over
put on the top
shelf
safe from
irrelevant
masses
crumble
the next
day
when the world
walks through
they dub
what
they see
'Pompeiic'
we are
heinous
sites
a permafrost
sea
of
3D
shadows
obsidian
with a
tint of
red
crumbling into
the pavement
at the click
of a
shutter
snapping
at
a charred
family
fused to
the rotting leather
seats
of a 4 by 4
as
the world
is fused to
sofas
gawping
at the
spectacle
they can't
believe
you broke
the record
the Cabinet
emerge
from the darkness
of their hideaway
they look
well
rested
their suits
are immaculate
they got a tan
before
they arrive
staff barge through the
charred crowds
we are but
relics of
current
events
to be shattered
and swept
into the gutters
that's where the
staff has been
told
they
belong
a light man
in a dark suit
and power tie
approaches
an
antique
ash
lectern
set up by staff
in preparation
for his return to
the surface
his face is
rouge
on film
his shadow
stretches
all the way
up the face of
Number 01
a streak of
tarmac upon
the whiteness
of the brickwork
the shadow
has horns
like shards
of glass
his cowlick
it must be
his cowlick
the staff
slick it down
and disappear
into the irrelevance
outside of
the len's eye
his lips
draw back
into a smile
as he turns
to his Right
Hand in a Yellow
tie
and winks
the red light
comes on
and he is
on air
the smile is
gone
he is on show
now
to the world
'this is
a sad day
for London
but we will
prevail'
the lenses
continue to
snap
like
the jaws
of rabid dogs
chomping
for the front page
the speech
rattles through
the airwaves
the delivery
is
Oscar Worthy
a nation, is brought
to its knees
by the words
he says
practised in the
mirror as he
shaved
this morning
he smelled our death
outside
a couple of
spurts
of his aftershave
saw to our memories
the camera shuts
down, and he steps
from his
podium
to hear the good
news
from Os
'the Borne to be'
chancellor
'good news DC, we've been given
a global donation, the recession
is over'
a high five
echoes down
the street
as the
Right
Honourable
Gentlemen
celebrate
'told you it would work'
Keep
Running
Feet
clapping
like the
crowds
that have come
for you
Run
do it
just do it
you can do it
ignore
the bombs
going off
around you
see the
carnage
ravage
the stands
as
bodies erupt
into paste
and slap against
camera's
right
the lens
stalks
the anarchy
to see you
run the
hundred
in under
ten
the footage
is priceless
the death
irrelevant
as your legs
pump they're
mechanised marched
at 100 miles
an hour
2012
people
at the
stadium dead
in a city
crumbling
as the
track
stars
tumble
to the rasps
of rifles
you are the only
one to cross the
finish line
you did it
you
broke the record
the cabinet
applaud
from number 01
sipping cider
under the
shade of
ivy clad
parasols
regal chuckles
echo like
wind in
blizzards
above the crackle
of carnage
London
decimated
by Patriots
Pride
Pagan
Idols
Ideals
imported
from
Athens
Olympians
come over
Oblivious
they arrive
Trojans
for
Terror
All as planned
We are
lost
to
Oblivion
as a
mushroom
bursts across
sagging sunrise
spreads like
fungus
strips our skin to
the bone
Number 01
lives on
the Cabinet
closed over
put on the top
shelf
safe from
irrelevant
masses
crumble
the next
day
when the world
walks through
they dub
what
they see
'Pompeiic'
we are
heinous
sites
a permafrost
sea
of
3D
shadows
obsidian
with a
tint of
red
crumbling into
the pavement
at the click
of a
shutter
snapping
at
a charred
family
fused to
the rotting leather
seats
of a 4 by 4
as
the world
is fused to
sofas
gawping
at the
spectacle
they can't
believe
you broke
the record
the Cabinet
emerge
from the darkness
of their hideaway
they look
well
rested
their suits
are immaculate
they got a tan
before
they arrive
staff barge through the
charred crowds
we are but
relics of
current
events
to be shattered
and swept
into the gutters
that's where the
staff has been
told
they
belong
a light man
in a dark suit
and power tie
approaches
an
antique
ash
lectern
set up by staff
in preparation
for his return to
the surface
his face is
rouge
on film
his shadow
stretches
all the way
up the face of
Number 01
a streak of
tarmac upon
the whiteness
of the brickwork
the shadow
has horns
like shards
of glass
his cowlick
it must be
his cowlick
the staff
slick it down
and disappear
into the irrelevance
outside of
the len's eye
his lips
draw back
into a smile
as he turns
to his Right
Hand in a Yellow
tie
and winks
the red light
comes on
and he is
on air
the smile is
gone
he is on show
now
to the world
'this is
a sad day
for London
but we will
prevail'
the lenses
continue to
snap
like
the jaws
of rabid dogs
chomping
for the front page
the speech
rattles through
the airwaves
the delivery
is
Oscar Worthy
a nation, is brought
to its knees
by the words
he says
practised in the
mirror as he
shaved
this morning
he smelled our death
outside
a couple of
spurts
of his aftershave
saw to our memories
the camera shuts
down, and he steps
from his
podium
to hear the good
news
from Os
'the Borne to be'
chancellor
'good news DC, we've been given
a global donation, the recession
is over'
a high five
echoes down
the street
as the
Right
Honourable
Gentlemen
celebrate
'told you it would work'
Tuesday, 17 July 2012
Creator Colonial - By JLG Clift
i walk on water
i walk on land
stand in every
texture, my foot
prints have soiled every
plate of food for
my young
my pure, my future
colonials
i walk
in
thunder clouds
they call
me white
lightning
but i have
so many
names
i let my future strike
like 9
tales of my power
dart from the mouth of the
wise to the children
their gods
know my
chil
dren's
sec
rets
but no one wants to listen
as they first arrive, with gifts
May
we
Flower
in the dawn of the new world
my children's leather
feet
are mistaken for
hooves
in the prints they make
as they bring clothes,
and concepts
and language
and friendship
and pity
and arrogance
and alcohol
and industry
and sickness
to noble savages
cannon fodder to the history of
U.S
to be reserved in huts
as we build around them
a reserved warning,
stilted in time
of why
my children are
so great
of why i am,
so great
but the first time
none of this happens
my colony
my message
and me
we sit with the
native sheep that grazed
the Plains where they saved
us from what should have
'been out in the cold;
too long; we are lost children'
we told them
lies
all
lies
they trusted like Good animals do
and now i shake
hands with the chief
and his wife
i like his headdress
like the blood red feathers and the tear blue beads
it is sacred to him
it will be on a carton of cigarettes
in years to come
good old
Natural Americans
their Spirits are mine
feel her flesh, warm, she feels like sunrise
silken palms
are crushed between my ice white
Callas
hands
in greetings
at the start of
the
first thanksgiving
they are sitting down to eat
our poisoned traditions
and my children, my colony, will be
sitting alone in years to come
they won't be here
they will be in
holes,
sacred to them
sacred to us
until our pity gives way
and we need
new land to build on
a man sits now,
hair thinned, white, sagging skin tanned like leather
beneath a tailored suit
and power
tie loosened in anticipation
of a Sunday roast
slaved over by black
shadows in white aprons
four hours
eaten in minutes over
scraping forks and
pop culture quotations
no thanks
look like a working man
but his hands are smooth
he hasn't worked
ever
because he is my colonial
and i love him
i gave him land
oil
money
he gives me a war,
he gives me a massacre
influence
god bless GW
I'm not god
but that is
one
of my names
i walk on land
stand in every
texture, my foot
prints have soiled every
plate of food for
my young
my pure, my future
colonials
i walk
in
thunder clouds
they call
me white
lightning
but i have
so many
names
i let my future strike
like 9
tales of my power
dart from the mouth of the
wise to the children
their gods
know my
chil
dren's
sec
rets
but no one wants to listen
as they first arrive, with gifts
May
we
Flower
in the dawn of the new world
my children's leather
feet
are mistaken for
hooves
in the prints they make
as they bring clothes,
and concepts
and language
and friendship
and pity
and arrogance
and alcohol
and industry
and sickness
to noble savages
cannon fodder to the history of
U.S
to be reserved in huts
as we build around them
a reserved warning,
stilted in time
of why
my children are
so great
of why i am,
so great
but the first time
none of this happens
my colony
my message
and me
we sit with the
native sheep that grazed
the Plains where they saved
us from what should have
'been out in the cold;
too long; we are lost children'
we told them
lies
all
lies
they trusted like Good animals do
and now i shake
hands with the chief
and his wife
i like his headdress
like the blood red feathers and the tear blue beads
it is sacred to him
it will be on a carton of cigarettes
in years to come
good old
Natural Americans
their Spirits are mine
feel her flesh, warm, she feels like sunrise
silken palms
are crushed between my ice white
Callas
hands
in greetings
at the start of
the
first thanksgiving
they are sitting down to eat
our poisoned traditions
and my children, my colony, will be
sitting alone in years to come
they won't be here
they will be in
holes,
sacred to them
sacred to us
until our pity gives way
and we need
new land to build on
a man sits now,
hair thinned, white, sagging skin tanned like leather
beneath a tailored suit
and power
tie loosened in anticipation
of a Sunday roast
slaved over by black
shadows in white aprons
four hours
eaten in minutes over
scraping forks and
pop culture quotations
no thanks
look like a working man
but his hands are smooth
he hasn't worked
ever
because he is my colonial
and i love him
i gave him land
oil
money
he gives me a war,
he gives me a massacre
influence
god bless GW
I'm not god
but that is
one
of my names
Subscribe to:
Posts (Atom)